Hi! I’m Sophie Kim ’24, and I’m a sophomore in Lowell House. I’m the Technical Producer for our upcoming production, The Pirates of Penzance, and an HRG&SP board member. I’m a performance poet, playwright, and lyricist/librettist.

This is my first semester of in-person college and in-person theater at Harvard, and I have to say, it’s off to a great start! As someone who’s primarily a writer/performer, and spent last year co-writing a musical that premiered virtually, taking on the role of producer this semester has taught me a lot. There’s something so exciting about looking around the room during a production meeting for Pirates and seeing all the amazing, talented people who are making this production possible. Getting to see designers talk about their ideas has given me even more respect for designers’ ability to imagine entire worlds, just from a script. I’m so excited to see what our wonderful actors bring to the stage, and to help contribute to making the production happen. 

Since the start of the semester, I’ve really started to notice what I had missed about in-person theater: the coffee runs during auditions and callbacks, the laughs in rehearsals, sitting around a table together envisioning something that none of us could do alone. I don’t think I really realized how much I loved the collaborative aspect of theater until that ability to collaborate was challenged. In my last post, I wrote about walking past Farkas Hall, not able to go in yet. Just standing on the outside, waiting. I’ve now seen the inside of Farkas (it’s beautiful), and the Agassiz Theatre, and the Loeb Drama Center. Of course, it’s not necessarily about the place itself, but the people who make the place a home. And now, we can sit in a row of theater seats together and think, This is it. We’re home.

—SK

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