Written by Sabrina Richert

The tower is in place, the cyc is hung, the platforms are loaded on stage, the rocks are all textured, all the locks, chains, bolts and bars are in good order… Whether these allusions to tech duties are in doubtful taste or not, tech crunch time has come again for the G&S show of the semester! The set of Yeomen of the Guard has really started to shape up and come to life, thanks to the hundreds of hours of work put in by the HRG&SP community. We are working on the final building and painting projects, and watching as the Tower of London in the 1500s starts to take form onstage in the Agassiz Theater, with textured rocks, broken heart motifs, and moss abound. This is always one of my favorite times as a designer, when I can look around and see all the work put in by the separate departments (build, paint, lights, orchestra, costumes, cast, etc.) and see it converging into a complete whole. It is always so rewarding to watch a production come together, from being an amorphous amalgamation of ideas and thoughts becoming an actual operetta staged on a physical set.

While I have been spending a significant amount of my time painting at the Agassiz Theater lately, Yeomen has started to creep into other aspects of my life as well, from the perpetual paint on my fingernails that I can never quite wash off, to the songs that I hum and just can’t seem to get out of my head as I work on my Japanese homework, to the ear plugs I have to dig through in my backpack to get to my pencils everyday in class.

As opening night draws nigh, we are getting more and more excited to share all of our hard work on this production with you, and we really hope to see you there at one of the following times!

Friday, March 23 at 8PM (Creative Black Tie Opening)
Saturday, March 24 at 2PM (Milk & Cookies Matinee)
Saturday, March 24 at 8PM
Sunday, March 25 at 2PM
Thursday, March 29 at 8PM (Free with HUID)
Friday, March 30 at 8PM
Saturday, March 31 at 6PM (Alumni Night)
Sunday, April 1 at 2PM

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