Apologies for lacks of posts lately! Everyone was in the midst of finals, and then my immune system broke down as soon as I got home, but here we are with a post from graduating senior Christopher Y.M. Marks ’15. The board of directors wishes to bid a fond farewell to Angela S. Berkowitz, C. E. Chiemeka Ezie, Christopher Y.M. Marks, and Rebecca C. Rosen. Congrats also to graduating Iolanthe cast and staff Kait Boudah, Charlie Caplan, Molly Finlayson, and Kim Onah. I would also like to add a special goodbye to Chrissy Rodriguez and Evan Schueckler, who have been such a central part of the technical team, and have been such wonderful mentors to younger technicians. Congratulations to everyone, and best of luck to everyone in their future pursuits! See you at Vic Ball!

This is the last post until the fall! I hope everyone enjoys their summers!

– Kat C. Zhou ’17


Written by Christopher Marks

When you look at it objectively, the Ag is a strange theatrical space. Sight-lines and acoustics are wonky as all get out, the geometry of the stage is bizarre, schlepping large and heavy set pieces (that more often than not I made heavy through over-building them…sorry…) up two flights of stairs is never fun…the list could go on and on. In short, it’s not an ideal theater in almost any sense. And yet, to many productions and many generations of students the Ag has become a safe space where art can be made and friendships formed, its quirks and drawbacks more than outweighed by the sense that Agassiz House has become a home away from home to so many of us.
And so it is, I think, with Gilbert & Sullivan. What we do is rather strange, if you take a second to think about it; we dedicate ourselves to putting up the works of two not very well known British playwrights from the late 19th century, with references and plots that make little sense in today’s cultural context, at a school where up until now there has been no theater program. There is no pressing need for any of us to do theater or to ensure that Gilbert & Sullivan to be performed. And yet, we keep coming back, every semester, to the strange space that is the Ag to put up the strange works that are Gilbert & Sullivan operettas, and I don’t think any of us would have it any other way. And through this strange activity we meet amazing people, form wonderful friendships, and find a safe space in the wild ride that is college.
This is why, I think, we do Gilbert & Sullivan: to be a part of this community. And it is this community that I am going to miss most. It’s been an honor and a privilege working on these shows with you all, and I wish every single one of you all the best.

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